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	<title>Edward Guglielmino</title>
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	<link>http://edg.ug</link>
	<description>Random Art and Words</description>
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		<title>15 things I&#8217;ll do when I make my first trillion.</title>
		<link>http://edg.ug/2010/07/15-things-ill-do-when-i-make-my-first-trillion/</link>
		<comments>http://edg.ug/2010/07/15-things-ill-do-when-i-make-my-first-trillion/#comments</comments>
		<pubDate>Sat, 17 Jul 2010 05:09:45 +0000</pubDate>
		<dc:creator>ed</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Features]]></category>

		<guid isPermaLink="false">http://edg.ug/?p=473</guid>
		<description><![CDATA[1. I&#8217;m going to buy all television stations and put on dead air.
2. I&#8217;m going to bribe AFL and Rugby League to make the half time show a lecturer on Russian constructivism.
3. I&#8217;m going to buy nova, and then blow it up in a blaze of glory like in V is for Vendetta.
4. I&#8217;m going [...]]]></description>
			<content:encoded><![CDATA[<p>1. I&#8217;m going to buy all television stations and put on dead air.<br />
2. I&#8217;m going to bribe AFL and Rugby League to make the half time show a lecturer on Russian constructivism.<br />
3. I&#8217;m going to buy nova, and then blow it up in a blaze of glory like in V is for Vendetta.<br />
4. I&#8217;m going to fund my own political party which is both good with money, and firmly in the 21st century.<br />
5. I&#8217;m going to start a record label that signs good bands that will never make any money for me.<br />
6. I am going to start my own music awards, called the invention and innovation awards, and give the most innovative artist $100,000.<br />
7. I&#8217;m going to bribe the government to start an independent body to investigate corruption in the arts.<br />
8. I&#8217;m going to Bribe the government to make a Jazz number the national anthem.<br />
9. I&#8217;m going to build a tram line from Brisbane to Melbourne.<br />
10. I&#8217;m going to fund 3RRR and 4zzz.<br />
11. I&#8217;m going to start my own 6&#8242;clock news program that just reports on the arts.<br />
12. I&#8217;m going to buy all the starbucks leases and give them away to independent cafe owners.<br />
13. I am going to start the &#8220;Edward Guglielmino scholarship&#8221; the best artist gets to go into outter space and have zero gravity sex.<br />
14. I&#8217;m going to pay the worlds best neurologists to invent a spray that turns homophobics into homosexuals.<br />
15. I&#8217;m going to spray Tony Abbot with this spray. </p>
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		</item>
		<item>
		<title>Clips</title>
		<link>http://edg.ug/2010/06/clips/</link>
		<comments>http://edg.ug/2010/06/clips/#comments</comments>
		<pubDate>Thu, 24 Jun 2010 08:50:09 +0000</pubDate>
		<dc:creator>ed</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://edg.ug/?p=470</guid>
		<description><![CDATA[
]]></description>
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		<item>
		<title>50 ways to get people to care about your band in Australia.</title>
		<link>http://edg.ug/2010/06/50-ways-to-get-people-to-care-about-your-band-in-australia/</link>
		<comments>http://edg.ug/2010/06/50-ways-to-get-people-to-care-about-your-band-in-australia/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 09:40:37 +0000</pubDate>
		<dc:creator>ed</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Features]]></category>

		<guid isPermaLink="false">http://edg.ug/?p=466</guid>
		<description><![CDATA[1. Pick your favorite overseas act and copy them exactly, give yourself a similar name, about put in your bio &#8220;Australia&#8217;s answer to&#8221;
2. Tell people you are all under 18.
3. Use &#8220;tokyo, russia, euro,&#8221; in your band name, make sure on paper your band name means nothing.
4. Sign to the first label that shows interest, [...]]]></description>
			<content:encoded><![CDATA[<p>1. Pick your favorite overseas act and copy them exactly, give yourself a similar name, about put in your bio &#8220;Australia&#8217;s answer to&#8221;<br />
2. Tell people you are all under 18.<br />
3. Use &#8220;tokyo, russia, euro,&#8221; in your band name, make sure on paper your band name means nothing.<br />
4. Sign to the first label that shows interest, hand over any chance you have of making any money to the company for a minimum of 25 years.<br />
5. Use &#8220;Fresh, cool, straight out of, bluesy, roots&#8221; in your band bio.<br />
6. Be an Aussie Hip Hop group.<br />
7. Openly endorse a soft drink.<br />
8. After two years tell everyone you&#8217;re quitting for good, only to reveal a new project which is identical, only with a very slightly different name.<br />
9. Hire a young manager who will sign anything put in front of him or her.<br />
10. Talk purely about music you really like, how awesome everything is, and never ever criticize anything openly.<br />
11. After gigs in the backstage area openly bitch about every other act in Australia.<br />
12. Find someone famous and start sleeping with them, pretend it is a secret to the public but tell every single person you can in private.<br />
13. Listen to commercial radio for 48 straight and then write a song immediately.<br />
14. Use awesome and wicked to describe everything.<br />
15. Accept your aria and make a joke about how you are still the underdog and still have have no money in your bank account.<br />
16. Have no cultural awareness, have no idea of music history.<br />
17. Live in a share house with more than 10 other people in Northcote.<br />
18. Live in your parents multi-million dollar house and have them bankroll you for 20 years.<br />
19. Live in a share house in Newtown with 40 people, and 10 junkies.<br />
20. Live in the Gap in Brisbane, be seen shopping at Gap Coles, tell people how much you hate fortitude valley, play acoustic guitar.<br />
21. Make lists that people will pretend to like, but secretly they are infuriated.<br />
22. Go to 1971 and copy.<br />
23. Go to 1983 and copy.<br />
24. Go to 1992 and copy.<br />
25. Sound like &#8220;Television&#8221; (the band see rule 16).<br />
26. Write negative things on forums about your band &#8220;Tokyo Russian Underground&#8221; Australia&#8217;s answer to Fleet Foxes.<br />
27. Turn up to gigs after the band has finished and bitch about the bands performance.<br />
28. Grow dreadlocks, play roots.<br />
29. Be easy to pigeonhole, complain about being pigeonholed.<br />
30. Use pigeonhole in every interview to describe your band,  for example &#8220;I don&#8217;t want to be pigeonholed as Australia&#8217;s answer to Animal Collective but&#8230;&#8221;<br />
31. Be ugly and write joke songs.<br />
32. Continually act surprised that your are successful.<br />
33. Move overseas, and play a couple of gigs, come back and claim that your famous in London, New York, Berlin ect. (note won&#8217;t work for 3rd world countries)<br />
34. Go OP shopping before every photo shoot.<br />
35. When being interviewed make ironic jokes that acknowledge that your currently famous.<br />
36. If you are a woman, play up the girl next door thing until you are 45.<br />
37. Talk about your fans as if you know them, if one approaches you in front of a camera act like you know him or her.<br />
38. If a fan approaches you in Australia off camera, tell it to fuck off.<br />
39. If a fan approaches you outside of Australia try not to act surprised.<br />
40. Be from Melbourne.<br />
41. Be from Brisbane<br />
42. Be from Melbourne or Brisbane but play gigs in Sydney every other weekend.<br />
43. Sleep with someone on the radio.<br />
44. Put &#8220;despite only being around for 6 months&#8221; in your bio, even if you have been around for 10 years.<br />
45.  Never change a single thing about your band accept the the name.<br />
46. Call any tour, the final tour ever.<br />
47. After you turn 30 write a book.<br />
48. After you turn 40 write another book.<br />
49. After you turn 50 enter politics.<br />
50. If a fan approaches you overseas, and they aren&#8217;t Australian, discount all rules above.</p>
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		</item>
		<item>
		<title>50 ways to tell if nobody cares about your band.</title>
		<link>http://edg.ug/2010/06/50-ways-to-tell-if-nobody-cares-about-your-band/</link>
		<comments>http://edg.ug/2010/06/50-ways-to-tell-if-nobody-cares-about-your-band/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 08:57:51 +0000</pubDate>
		<dc:creator>ed</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Features]]></category>

		<guid isPermaLink="false">http://edg.ug/?p=463</guid>
		<description><![CDATA[1. No one has ever offered you a lay after your show.
2. No one has ever offered to get you high before a show
3. No one has ever asked you to play one of your songs to them in the privacy of their home.
4. No one that you aren&#8217;t already friends with has written about [...]]]></description>
			<content:encoded><![CDATA[<p>1. No one has ever offered you a lay after your show.<br />
2. No one has ever offered to get you high before a show<br />
3. No one has ever asked you to play one of your songs to them in the privacy of their home.<br />
4. No one that you aren&#8217;t already friends with has written about you.<br />
5. Aside from your album launch, you have never sold out a show.<br />
6. Aside from you mates no one ever asks you to join them on a bill.<br />
7. Your mother and father offer you encouragement.<br />
8. Your manager has to &#8216;network&#8217; and &#8216;get out there&#8217; to &#8216;build your profile&#8217;.<br />
9. When you tour you have nowhere to stay for free.<br />
10. You have to ask if there is a rider.<br />
11. You give away more than 10 door spots at a gig.<br />
12. Your girlfriends don&#8217;t come to any of your shows.<br />
13. You have never walked into any room ever and heard you album being played.<br />
14. Your publicist has to do a big push to get your single played once.<br />
15. You pay more than $5000 for a recording (if you are not famous).<br />
16. You have a close and personal relationship with every fan.<br />
17. You send a text out to remind everyone you are playing tonight (unless its one of your first gigs)<br />
18. An A&#038;R guy turns up and leaves after your support plays.<br />
19. You pay to get into venues.<br />
20. You have to remind people they were at one of your gigs.<br />
21. When the guitar is being passed around people skip you, and you have to remind them you play.<br />
22. You often play guitar and sing at parties, killing all conversation.<br />
23. You ask people if you can be in their top friends on myspace.<br />
24. You check how many plays you have had on myspace today.<br />
25. You spam people&#8217;s comments with posters of your bands upcoming gig.<br />
26. You use myspace for more than 15 minutes a day.<br />
27. You talk about your band on facebook and nobody comments, then you talk about the pizza you are making and you get 50 comments.<br />
28. You walk though customs in America and they don&#8217;t ask you whether you getting paid to play while in the USA.<br />
29. You need to write lists to get people to read your blog.<br />
30. You let a traveling band stay with you, but when you go to their city they already have guests.<br />
31. You are at the bottom of your managers bio.<br />
32. You managers bio talks more about other things they have done than the management of your band.<br />
33. You managers bio stresses how long he has be in the industry, over your achievements.<br />
34. Not a single person will do anything for your band free of change.<br />
35. The room gets really chatty before you play.<br />
36. The crowd is usually really really drunk before you play, and you aren&#8217;t a punk or metal band.<br />
37. You have less than 100 followers on twitter.<br />
38. Your teenage sister is more popular on any social network than you are.<br />
39. You pay for street press advertising, but they don&#8217;t have room for an editorial.<br />
40. You accept a low paying gig to get in front of an audience, and you have been around for more than 6 months.<br />
41. Your boss won&#8217;t give you time off work to go on tour.<br />
42. No one at centerlink gives a shit about your band.<br />
43. You apply to the NEIS scheme and are rejected.<br />
44. You apply for a grant and receive $50,000<br />
45. You work in retail or hospitality and no-one ever recognises you.<br />
46. You are a teacher, and not a single student comes to your gigs. (unless you teach primary school).<br />
47. You keep a scrap book of news articles about your band, but its very difficult to cut out single sentences.<br />
48. You seek encouragement.<br />
49. You go to bed before 1am more than 3 times a week.<br />
50. You don&#8217;t have any frequent flyer miles. </p>
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		</item>
		<item>
		<title>Flowing like the River</title>
		<link>http://edg.ug/2010/04/flowing-like-the-river/</link>
		<comments>http://edg.ug/2010/04/flowing-like-the-river/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 14:04:04 +0000</pubDate>
		<dc:creator>ed</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Features]]></category>

		<guid isPermaLink="false">http://edg.ug/?p=458</guid>
		<description><![CDATA[I&#8217;ve been exercising a new form of meditation being present and being in the now. I go for a walk and listen to a tape and then stop, and continue my walk. The aim of the game is to be in the present moment for as long as possible without thinking about the future or [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been exercising a new form of meditation being present and being in the now. I go for a walk and listen to a tape and then stop, and continue my walk. The aim of the game is to be in the present moment for as long as possible without thinking about the future or past.  I got there for a full 15 minutes last week.  It feels a lot liking being on drugs. </p>
<p>When I leave reality and return to the mind (end the meditation), things still seem clearer and more centered than the pre-meditative world.</p>
<p>Many people struggle hard to get to this state, however it seems to come naturally for me, I think its because for a long time I have been practicing it when I write. I generally have to be 100% focused and in the moment to perform well, and also to write new material. </p>
<p>It&#8217;s interesting being an artist because your ego, always wants to take credit for all your work. I think though all truly great art is devoid of an author, and that song writing is a state of mediation, much like what I have be practicing,  the music flows though you and there is little you can do to interfere with the melody when it comes to you.  The clearer the state of mind, and the more present you are the less editing is required post. </p>
<p>The theme song to &#8220;Late at Night&#8221; &#8220;Rhythm of Life&#8221; came to me entirely in one sitting with complete lyrics.  &#8220;Fail with me&#8221; came in two sittings. I find if I need more than a few sessions to write a song its best abandoned.  The more &#8220;pure&#8221; a song is, the more people like the song.  I learnt this the hard way, for a long time I thought that songwriting was an intellectual process. </p>
<p>I am now starting to believe that all life is best served in a similar way &#8220;in the moment&#8221; and the less you involve your &#8220;mind&#8221; in the process the better the result. My mind is begging to take credit for the vast improvements in my life recently, but I think that is has more to do with my mindlessness. We will see if I am full of shit or not in a short time, but recently I&#8217;ve tried to make my life flow much like a song does, and its working very well! </p>
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		<title>Edward Guglielmino &#8211; Late At Night</title>
		<link>http://edg.ug/2010/03/edward-guglielmino-late-at-night/</link>
		<comments>http://edg.ug/2010/03/edward-guglielmino-late-at-night/#comments</comments>
		<pubDate>Thu, 11 Mar 2010 04:02:57 +0000</pubDate>
		<dc:creator>ed</dc:creator>
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		<guid isPermaLink="false">http://edg.ug/?p=449</guid>
		<description><![CDATA[Caught in a Landslide by Edward Guglielmino
]]></description>
			<content:encoded><![CDATA[<p><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" width="400" height="100" ><param name="movie" value="http://bandcamp.com/EmbeddedPlayer.swf/album=2008875014/size=venti/bgcol=FFFFFF/linkcol=4285BB/" /><param name="quality" value="high" /><param name="allowScriptAccess" value="never" /><param name="allowNetworking" value="always" /><param name="wmode" value="transparent" /><param name="bgcolor" value="#FFFFFF" /><embed src="http://bandcamp.com/EmbeddedPlayer.swf/album=2008875014/size=venti/bgcol=FFFFFF/linkcol=4285BB/" width="400" height="100" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" quality=high allowScriptAccess=never allowNetworking=always wmode=transparent bgcolor=#FFFFFF ></embed><noembed><a href="http://edwardguglielmino.bandcamp.com/album/late-at-night">Caught in a Landslide by Edward Guglielmino</a></noembed></object></p>
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		<title>Are you a battleship or a Lighthouse?</title>
		<link>http://edg.ug/2010/03/are-you-a-battleship-or-a-lighthouse/</link>
		<comments>http://edg.ug/2010/03/are-you-a-battleship-or-a-lighthouse/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 14:17:04 +0000</pubDate>
		<dc:creator>ed</dc:creator>
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		<guid isPermaLink="false">http://edg.ug/?p=442</guid>
		<description><![CDATA[&#8216;Two battleships were at sea in heavy weather for several days on training manoeuvres. I was serving on the lead battleship and was on watch on the bridge as night fell. The visibility was poor with thick fog, so the Captain remained on the bridge to keep an eye on everything.
Shortly after dark, as the [...]]]></description>
			<content:encoded><![CDATA[<p>&#8216;Two battleships were at sea in heavy weather for several days on training manoeuvres. I was serving on the lead battleship and was on watch on the bridge as night fell. The visibility was poor with thick fog, so the Captain remained on the bridge to keep an eye on everything.</p>
<p>Shortly after dark, as the ship pitched and rolled through the waves, the lookout on the wing of the bridge reported, &#8220;Light! Bearing on the starboard bow.&#8221;</p>
<p>&#8220;Is it steady or moving astern?&#8221; the Captain called out.</p>
<p>The Lookout replied, &#8220;Steady, Captain!&#8221; which meant we were on a dangerous collision course with that ship.</p>
<p>The Captain then called to the signalman, &#8220;Signal that ship: We are on a collision course, advise you change course 20 degrees.&#8221;</p>
<p>Back came a signal, &#8220;Advisable for you to change course 20 degrees.&#8221;</p>
<p>The Captain said, &#8220;Send, I&#8217;m a Captain, change course 20 degrees.&#8221;</p>
<p>&#8220;I&#8217;m a seaman second class,&#8221; came back the reply. &#8220;You had better change course 20 degrees.&#8221;</p>
<p>By this time, the Captain was furious. He snapped out, &#8220;Send, I&#8217;m a battleship! Change course 20 degrees immediately!&#8221;</p>
<p>Back came the flashing light&#8230;</p>
<p>&#8220;I&#8217;m a lighthouse.&#8221;</p>
<p>We changed course!&#8217;</p>
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		<title>A letter to a lost lover.</title>
		<link>http://edg.ug/2010/02/a-letter-to-a-lost-lover/</link>
		<comments>http://edg.ug/2010/02/a-letter-to-a-lost-lover/#comments</comments>
		<pubDate>Sun, 28 Feb 2010 05:26:35 +0000</pubDate>
		<dc:creator>ed</dc:creator>
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		<category><![CDATA[Features]]></category>

		<guid isPermaLink="false">http://edg.ug/?p=439</guid>
		<description><![CDATA[Dearest &#8212;&#8212;
Before you get started I know you wanted a letter in handwriting, but I want to write a long letter so you have to put up with the typed version of events. I&#8217;m a terrible &#8220;writer&#8221; if you get my meaning so I hope you can forgive my digitalness.
&#8212; just got back from overseas [...]]]></description>
			<content:encoded><![CDATA[<p>Dearest &#8212;&#8212;</p>
<p>Before you get started I know you wanted a letter in handwriting, but I want to write a long letter so you have to put up with the typed version of events. I&#8217;m a terrible &#8220;writer&#8221; if you get my meaning so I hope you can forgive my digitalness.</p>
<p>&#8212; just got back from overseas I saw him list night. That was weird. He looked older. He had a wise look on his face. A new look about him. All that time in london must&#8217;ve changed him somehow. Made him a man. &#8212;- and him hooked up almost instantaniously. Funny bunch!</p>
<p>Allot of socializing lately there seems to be some sort of party in Brisbane every three days. You know what its like here. Everyone has these big back yards full of people. The smell of fresh cut grass, mixed with cigarette and pot smoke. I have a boys club now called tree house, where jamie, ray, marty matt, and I talk secret mens business and smoke joints.</p>
<p>The rule is that if you pass on anything said in tree house we get to punch you in the back of the head when your not looking. Main rule is no-girls.</p>
<p>Its been one of the coldest Brisbane winters ever. I know you will think it couldn&#8217;t be that bad compared the Hobart chill.  But with no indoor heating its been a nightmare. Hard to sleep with the cold air nipping your ears. I&#8217;ve been good to myself lately. I was recently reborn.</p>
<p>I had the flu bad. I was sick of being indoors and I had been given tickets to the breeders at the zoo. So I went out and drank with three friends to the tunes till we were all deep under lucidity.  After a few joints and still fluey I walked home at 4 in the morning the pavement felt like marshmallows under my feet.  I got home and took 3 night codral and two neurohen plus. The walls of my apartment are melting, My inner voice becomes audible though both ears. I can feel my heart beat in my eyes.  I fell on my bed and passed out, I saw jesus, he flew with me over the crop circles in england, explaining how to decode them.  Spirits dressed as aliens read from the book for revelations too me. A healing light shone from within my body.</p>
<p>Expecting to be sicker, and more hung over than I have ever been, I wake up the next day feeling reborn. I&#8217;d been baptized by something outside of me or inside of me. The flu had gone. I haven&#8217;t felt better.</p>
<p>Since I cheated death I&#8217;ve been on my best behavior. I&#8217;ve been thinking about what ill do when the records all finished. When I finish this record with matt, and tour it around australia and europe. I will come home. Ill sell everything I don&#8217;t need. Ill by a small car, and Ill put my music collection in storage.</p>
<p>I will buy a block of land out in the bush, hopefully near Rainforest. I will construct a tipi and live in it, only returning to the city to play shows, and record. Well Its a dream I have. Either that or the opposite move to New York city. I can&#8217;t decide. Maybe ill do both.</p>
<p>I&#8217;ve been a total professional musician lately doing loads of shows in Sydney and Melbourne and recording every day. I even got invited to be a part of the songwriters of Queensland weekend at applewood. Where we all team up and take turns to write songs together. A cd is made afterwards, I can&#8217;t believe Im on a list with other Queensland songwriters like casey chambers and shit. HAHA!</p>
<p>Two CDS one is the Daniel Johnson tapes, and another is my most recent home recordings. You&#8217;ll probably like them more than the studio record which I will send you in a few months knowing you.</p>
<p>Anyway Ill write you more but you got to write back first.</p>
<p>Love Edward G xxxxox</p>
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		<title>Thin Kids in &#8220;Time Off&#8221;</title>
		<link>http://edg.ug/2010/02/thin-kids-in-time-off/</link>
		<comments>http://edg.ug/2010/02/thin-kids-in-time-off/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 14:40:59 +0000</pubDate>
		<dc:creator>ed</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://edg.ug/?p=435</guid>
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THE THIN KIDS ARE AN INTERESTING PROPOSITION; ARROGANT, IRREVERENT AND ALMOST CERTAINLY AN IN-JOKE THAT WILL PERPLEX AS MANY AS THEY AMUSE. DAN CONDON TRIES TO FIGURE OUT WHAT THE FUCK IS GOING ON.
The band proclaim on their MySpace page “we’re better than you”, but vocalist Everett True explains that this is most likely being [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://i44.photobucket.com/albums/f7/edwardgug/thinkidsinterview.jpg" alt="" width="516" height="436" /><br />
THE THIN KIDS ARE AN INTERESTING PROPOSITION; ARROGANT, IRREVERENT AND ALMOST CERTAINLY AN IN-JOKE THAT WILL PERPLEX AS MANY AS THEY AMUSE. DAN CONDON TRIES TO FIGURE OUT WHAT THE FUCK IS GOING ON.</p>
<p>The band proclaim on their MySpace page “we’re better than you”, but vocalist Everett True explains that this is most likely being taken the wrong way.<br />
“My apologies for that tag-line, I hope no one has taken offence at it: it was an in-joke that got out of hand,” he starts. “It was actually me telling Ed G [fellow band member Edward Guglielmino] ‘I’m better than you’ when we were arguing over who should be lead vocalist. As I’m rock royalty, I always refer to myself in the plural. He sings like a strangulated cross between Robert Smith and Peter Gabriel with a back ache. I don’t. I rest my case&#8230;”<br />
Lyrically, the band often use their songs as a platform to take pot shots at Brisbane and the music scene in which they currently exist. Guglielmino gives us an insight into the writing process.<br />
“Everett likes to pretend he writes the lyrics down but really after to green teas he starts ranting and raving and I just hit record and try to play along!” he says.<br />
So what are these crazy cats planning to do next?<br />
“Our debut album is planned as a Sarah Blasko tribute – her songs sung the way we know she really wanted them to be,” True quips. “Our second album will only feature musicians given an 8.3 rating, or higher, in Time Off. We are already taking applications for groupies of all sexes.”<br />
Application submitted. Though, for the record, Time Off uses a five star rating system for our album reviews. But we’re flattered nonetheless.<br />
WHO: The Thin Kids<br />
WHERE &amp; WHEN: The Troubadour Wednesday Feb 24<br />
<strong>The Original Q &amp; A </strong></p>
<p>1. What was the fundamental reason for forming The Thin Kids?</p>
<p>Everett: &#8220;We were shocked and disgusted at Australia&#8217;s new status as the most obese nation in the world. We felt it was time someone took a stand against it. Us, in fact. Plus, we&#8217;re well aware that Arts QLD has been trying to promote Brisbane as the new cultural centre of Australia, and felt that there was no possible way this could happen without some of the city&#8217;s leading creative lights taking a more proactive, participatory role. We&#8217;re generous that way. Also, we miss the thrill of casual sex that rock stardom inevitably brings.&#8221;</p>
<p>Ed: &#8220;True and I have also been on a hardcore milkshake diet to try to loose weight. We exercise once a week before rehearsals. Everett has lost 5kg and I&#8217;ve put on 5kg. Everett didn&#8217;t explain that I was supposed to drink special diet milkshakes. I formed the band with Everett to help my music career since we&#8217;ve teamed up my music has appeared on a host of file sharing sites marked &#8220;LOLROTG &#8211; check out this Robert smith loosers music Everett True 4eva&#8221; posted by JohnstonCobain. &#8221;</p>
<p>Maggie: &#8220;I decided that I didn&#8217;t have enough to do in my life.&#8221;</p>
<p>2. With a lengthy story about your formation that seems to stretch the truth, a tagline on your MySpace that says “we are better than you!” and some decidedly lo-fi recordings – are you actively looking to attract backlash?</p>
<p>Everett: &#8220;My apologies for that tag-line I hope no one has taken offence at it: it was an in-joke that got out of hand. It was actually me telling Ed G &#8220;I&#8217;m better than you&#8221; when we were arguing over who should be lead vocalist. (As I&#8217;m rock royalty, I always refer to myself in the plural.) He sings like a strangulated cross between Robert Smith and Peter Gabriel with a back ache. I don&#8217;t. I rest my case&#8230; as to the charge of lo-fi: was Elvis called lo-fi because he recorded on two tracks? The Beatles because they used four? We use state-of-the-art technology: it&#8217;s not our fault that the rest of the world hasn&#8217;t caught up with us.&#8221;</p>
<p>Ed: &#8220;I let Everett sing after he locked himself in the bathroom and said he wasn&#8217;t coming out until we let him sing. As for who is the better singer out of the two of us. You be the judge &#8221;</p>
<p>Maggie: &#8220;I don&#8217;t know about the other guys but I&#8217;ve always wanted to be in a fist fight. I wouldn&#8217;t say we&#8217;re actively looking for backlash but, hey, if something comes along, I&#8217;m ready.&#8221;</p>
<p>3. How has the response been to the group so far?</p>
<p>Everett: &#8220;Varied and supportive, from &#8216;an in-joke that shouldn&#8217;t have been let out&#8217;, to &#8216;Mr True should stick to his writing&#8217;, to &#8216;fuck off, you Thin Kids cunt&#8217; (spoken in person to Ed G in Starbucks). We are not dissuaded from our goal of enriching the masses&#8217; doubtless grey and humdrum everyday existence. We are fully aware of the green-eyed devil called jealousy.&#8221;</p>
<p>Ed &#8220;The starbucks thing was interesting because behind the skater kid who heckled me was a Twitter follower of mine. The twittered to me that she saw the whole thing but I didn&#8217;t check my twitter till after I&#8217;d left. My manager Ben told me if I don&#8217;t quit the band soon he&#8217;s going to stop managing me. He said that Everett is damaging my career in a way that can not be revearsed. &#8221;</p>
<p>Maggie: &#8220;We have a silent member in the band called Dougie. He&#8217;s contributed to the engineering of the recordings and he starred in our first film clip. His fanbase on facebook is at 70 members and climbing, so yeah, I&#8217;d say the response is going well so far.&#8221;</p>
<p>4. Where do you find you draw the majority of your musical and lyrical influence from?</p>
<p>Everett: &#8220;The streets and supermarkets and weather conditions and nightclubs and street press writers of Brisbane, a city rich in cultural inspiration and appreciation. Personally, I find the golden carrot of casual sex and the thrill of public humiliation motivators in themselves: ever since my star quit shining as a critic, I miss the routine scorn and approbation heaped upon me daily by talentless musicians.&#8221;</p>
<p>Ed &#8220;Everett likes to pretend he writes the lyrics down but really after to green teas he starts ranting ad raving and I just hit record and try to play along!&#8221;</p>
<p>Maggie: &#8220;Trial and Error&#8221;</p>
<p>5. What can we expect from your live show?</p>
<p>Everett: &#8220;Music to bring a tear to the eye of even the most hardened of Powderfinger fans.&#8221;</p>
<p>Ed: &#8220;I told Everett I&#8217;m not playing a single show till we sort out money. He&#8217;s trying to claim the songs as his own but I&#8217;ve written most of the melodies and lyrics. He&#8217;s gone and booked three shows behind my back. I&#8217;m not ruining my career for free. I&#8217;ve told him I&#8217;ll need $500 a show and a large rider. He either hangs the phone up or locks himself in the bathroom and cries about how famous he was and all the bands he&#8217;s played with in the past&#8221;</p>
<p>6. What are your plans for the rest of the year?</p>
<p>Everett: &#8220;Our debut album is planned as a Sarah Blasko tribute &#8211; her songs sung the way we know she really wanted them to be. Our second album will only feature musicians given a 8.3 rating, or higher, in Time Off. We are already taking applications for groupies of all sexes.&#8221;</p>
<p>Ed: &#8220;I&#8217;m being evicted I haven&#8217;t made rent the last few weeks and the people in the apartment below have been complaining about the noise when we make when we work out,  argue and rehearse. Also Everett hangs outside the complex after each rehearsal begging for change for the bus home to the gap. So I plan on living in a box and regretting the nail in the coffin of my career.&#8221;</p>
<p>Maggie: &#8220;Who said you were all invited?&#8221;</p>
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		<title>Manufacturing Consent</title>
		<link>http://edg.ug/2010/01/manufacturing-consent/</link>
		<comments>http://edg.ug/2010/01/manufacturing-consent/#comments</comments>
		<pubDate>Mon, 18 Jan 2010 06:51:00 +0000</pubDate>
		<dc:creator>ed</dc:creator>
				<category><![CDATA[Blog]]></category>
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